9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
2 Click the Select Setting button and select a setting, then click Open. Dependent on the
chosen setting, one or more stompboxes appear in the Pedal Browser. The name of the
imported setting is shown at the bottom of the Pedal Browser.
To add an imported pedal to the Pedal area
Do one of the following:
µ
Drag the stompbox that you want to add from the Pedal Browser to the appropriate
Pedal area position. This can be to the left, to the right, or in-between existing pedals.
µ
Ensure that no pedal is selected in the Pedal area, then double-click a stompbox in the
Pedal Browser to add it to the right of all existing effects in the Pedal area.
Note: The parameter settings of pedals added in import mode are also imported.
To replace a pedal setting in the Pedal area with an imported pedal setting
1 Click the pedal you want to replace in the Pedal area. It becomes highlighted with a blue
outline.
2 Click the stompbox in the Pedal Browser to replace the selected pedal (or pedal setting)
in the Pedal area. The blue outlines of the selected pedal in the Pedal area and Pedal
Browser blink on and off to indicate an imported setting. The setting name area at the
bottom of the Pedal Browser displays “Click selected item again to revert.”
Note: If you want to make your replacement permanent, click the background in the
Pedal Browser, or click the Import Mode button.
3 To restore the selected pedal’s previous setting, click the highlighted stompbox in the
Pedal Browser. The Import Mode button and the outline of the selected pedal (in the
Pedal area) become solidly highlighted, indicating that the original setting has been
restored.
Using Pedalboard’s Pedal Area
Pedalboard’s stompbox effect pedals not only resemble their physical counterparts; they
are also used in much the same way—without the inconvenience of patch cords, power
supplies, and screws or locking mechanisms. The Pedal area layout mirrors a traditional
pedalboard, with signals running from left to right.
41Chapter 1 Amps and Pedals