9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
The Guitar Amp Pro window is organized into sections according to different kinds of
parameters.
Effects section
Amp section
Microphone Position section Microphone Type section
• Amp section: The model parameters at the top are used to choose the type of amp,
EQ model, and speaker. See Building Your Guitar Amp Pro Model.
Farther down in the Amp section, the knobs in the V-shaped formation are used to set
tone, gain, and level. See Using Guitar Amp Pro’s Gain, Tone, Presence, and Master
Controls.
• Effects section: Provides parameters to control the built-in tremolo, vibrato, and reverb
effects. See Using Guitar Amp Pro’s Reverb Effect and Using Guitar Amp Pro’s Tremolo
and Vibrato Effects.
• Microphone Position and Type sections: These sections enable you to set the position
and type of the microphone. See Setting Guitar Amp Pro Microphone Parameters.
Building Your Guitar Amp Pro Model
An amplifier “model” consists of an amplifier, speaker cabinet, EQ type, and microphone
type. You can create your own hybrids of different amplifiers, cabinets, and so on—using
the pop-up menus at the top center of the interface. You choose the microphone position
and type in the yellow areas to the left and right.
You can use the Settings menu to save your new hybrid amp combos as setting files,
which also include any parameter changes you may have made.
How to build your amplifier model is described in the following sections:
• Choosing a Guitar Amp Pro Amplifier
• Choosing a Guitar Amp Pro Speaker Cabinet
32 Chapter 1 Amps and Pedals