9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
• Top Class DI Warm: Famous DI box simulation, well-suited for reggae and pop
recordings. Mid frequencies, in the range between 500 and 5000 Hz, are
de-emphasized.
• Top Class DI Deep: Based on the Top Class DI Warm, this model is well-suited for funk
and fusion. The mid frequency range is strongest around 700 Hz.
• Top Class DI Mid: Based on the Top Class DI Warm, this model features an almost
linear frequency range, with no frequencies emphasized. It is suitable for blues, rock,
and jazz recordings.
• Pre Gain slider: Sets the pre-amplification level of the input signal.
• Bass, Mid, and Treble sliders: Adjusts the bass, mid, and treble levels.
• Mid Freq slider: Sets the center frequency of the mid band (between 200 Hz and 3000 Hz).
• Output Level slider: Sets the final output level for Bass Amp.
Guitar Amp Pro
Guitar Amp Pro can simulate the sound of popular guitar amplifiers and the speakers
used with them. You can process guitar signals directly, which enables you to reproduce
the sound of your guitar through a number of high-quality guitar amplification systems.
Guitar Amp Pro can also be used for experimental sound design and processing. You can
freely use it with other instruments, applying the sonic character of a guitar amp to a
trumpet or vocal part, for example.
The amplifier, speaker, and EQ models emulated by Guitar Amp Pro can be combined in
a number of ways to radically or subtly alter the tone. Virtual microphones are used to
pick up the signal of the emulated amplifier and cabinet. You can choose from two
different microphone types, and you can reposition them. Guitar Amp Pro also emulates
classic guitar amplifier effects, including reverb, vibrato, and tremolo.
31Chapter 1 Amps and Pedals