9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
• Mic pop-up menu: You can choose one of the Microphone models from the pop-up
menu:
• Condenser: Emulates the sound of a high-end German studio condenser microphone.
The sound of condenser microphones is fine, transparent, and well-balanced.
• Dynamic: Emulates the sound of popular American dynamic cardioid microphones.
This microphone type sounds brighter and more cutting than the Condenser model.
The mid-range is boosted, with lower-mid frequencies being less pronounced, making
it a good choice for miking rock guitar tones. It is especially useful if you want your
guitar part to cut through other tracks in a mix.
• Ribbon: Emulates the sound of a ribbon microphone. A ribbon microphone is a type
of dynamic microphone that captures a sound often described as bright or brittle,
yet still warm. It is useful for rock, crunch, and clean tones.
Tip: Combining multiple microphone types can produce an interesting sound. Duplicate
the guitar track, and insert Amp Designer on both tracks. Select different microphones
in each Amp Designer instance while retaining identical settings for all other parameters,
and set track signal levels to taste.
Setting Amp Designer’s Output Level
The Output slider (or the Output field, in the small interface) is found at the lower-right
corner of the Amp Designer interface. It serves as the final level control for Amp Designer
and can be thought of as a “behind the speaker” volume control that sets the level of the
output that is fed to the ensuing Insert slots in the channel strip, or directly to the channel
strip output.
Note: This parameter is different from the Master control, which serves the dual purpose
of sound design as well as controlling the level of the Amp section.
29Chapter 1 Amps and Pedals