9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
• Sync/Free switch: When the switch is set to Sync, the modulation speed is synchronized
with the host application tempo. The Speed knob lets you select different bar, beat,
and musical note values (1/8, 1/16, and so on, including triplet and dotted-note values).
When the switch is set to Free, the modulation speed can be set to any available value
with the Speed knob.
Setting Amp Designer Microphone Parameters
Amp Designer offers a choice between three different virtual microphones. As with every
other component in the tone chain, different selections yield very different results. After
choosing a cabinet, you can set the type of microphone you want to be emulated, and
where the microphone is placed in relation to the cabinet. The Mic pop-up menu is
available near the right end of the black bar at the bottom, and the speaker-adjustment
graphic appears when you move your mouse to the area above the Mic pop-up menu.
Note: The parameters described in this section are accessible only in the full Amp Designer
interface. If you are in the small interface, click the disclosure triangle to the right of the
Output field at the bottom-right edge of the interface to switch back to the full interface.
Move your mouse
above the Mic pop-up
menu to display the
speaker-adjustment
graphic.
• Cabinet and speaker-adjustment graphic: By default, the microphone is placed in the
center of the speaker cone (on-axis). This placement produces a fuller, more powerful
sound, suitable for blues or jazz guitar tones. If you place the microphone on the rim
of the speaker (off-axis), you obtain a brighter, thinner tone, making it suitable for
cutting rock or R & B guitar parts. Moving the microphone closer to the speaker
emphasizes bass response.
The microphone position is shown on the cabinet and indicated by the white dot in
the speaker-adjustment graphic. Drag the white dot to change the microphone position
and distance, relative to the cabinet. Placement is limited to near-field positioning.
28 Chapter 1 Amps and Pedals