9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
DescriptionEQ type
Based on a digital EQ unit popular in the 1980s and 1990s. This EQ
is useful for sculpting the hyped highs, booming lows, and scooped
mids associated with the era’s rock and metal music styles.
Modern
Replicates the tone section of a “retro modern” boutique amp. It
excels at precise EQ adjustments, though its tone may be cleaner
than desired when used with vintage amplifiers. This EQ is a good
choice if you want a cleaner, brighter sound.
Boutique
Using Amp Designer’s Gain, Presence, and Master Controls
The amp parameters include controls for the input gain, presence, and master output.
The Gain knob is found to the left in the knobs section and the Presence and Master
knobs are to the right.
Gain
Presence Master
• Gain knob: Sets the amount of pre-amplification applied to the input signal. This control
affects various amp models differently. For example, when you are using the British
Amp, the maximum gain setting produces a powerful crunch sound. When you are
using the Vintage British Head or Modern British Head, the same gain setting produces
heavy distortion, suitable for lead solos.
• Presence knob: Adjusts the high-frequency range—above the range of the Treble
control. The Presence parameter affects only the output (Master) stage.
• Master knob: Sets the output volume of the amplifier going to the cabinet. For tube
amplifiers, increasing the Master level typically produces a somewhat compressed and
saturated sound, resulting in a more distorted and powerful—that is, louder—signal.
High Master settings can produce an extremely loud output that can damage your
speakers or hearing, so ramp this up slowly. The final output level of Amp Designer is
set with the Output slider at the lower-right edge of the interface. See Setting Amp
Designer’s Output Level.
25Chapter 1 Amps and Pedals