9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Despite these less pleasant-sounding possibilities, you should experiment with different
amplifier and EQ combinations because many will sound great together.
Bass, Mids, and Treble
knobs
EQ pop-up menu
The EQ parameters include the EQ pop-up menu and the Bass, Mids, and Treble knobs.
These parameters are found toward the left-end of the knobs section.
• EQ pop-up menu: Click the word EQ or CUSTOM EQ above the Bass, Mids, and Treble
knobs to open the EQ pop-up menu, which contains the following EQ models: British
Bright, Vintage, U.S. Classic, Modern, and Boutique. Each EQ model has unique tonal
qualities that affect the way the Bass, Mids, and Treble knobs respond. See Amp Designer
Equalizer Type Reference Table.
• Bass, Mids, and Treble knobs: Adjust the frequency ranges of the EQ models, similar to
the tone knobs on a hardware guitar amplifier. The behavior and response of these
knobs changes when different EQ models are chosen.
Amp Designer Equalizer Type Reference Table
You can choose an Equalizer type by clicking the word EQ or CUSTOM EQ above the Bass,
Mids, and Treble knobs in the knobs section. The table below covers the properties of
each EQ type available in Amp Designer.
DescriptionEQ type
Inspired by the EQ of British combo amps of the 1960s. It is loud
and aggressive, with even bolder highs than the Vintage EQ. This
EQ is useful if you want more treble definition without an overly
clean sound.
British Bright
Emulates the EQ response of American Tweed-style amps and the
vintage British stack amps that used a very similar circuit. It is loud
and somewhat distortion-prone. This EQ is useful if you want to
roughen the sound.
Vintage
Derived from the EQ circuit of the American Blackface-style amps.
The tone is of higher fidelity than the Vintage EQ, with tighter lows
and crisper highs. This EQ is useful if you want to brighten your
tone and reduce distortion.
U.S. Classic
24 Chapter 1 Amps and Pedals