9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
DescriptionCabinet
A 4 x 12" closed-back cabinet with a thick, rich mid-range.Sunshine 4 x 12
A single 12" open-back combo amp cabinet with a bright, lively
sound that has sweet highs, and transparent mids.
Sunshine 1 x 12
A tight, bright, closed-back British cabinet with bold upper-mid
peaks.
Stadium 4 x 12
A nicely balanced modern British open-back cabinet. Tonally, it is
a compromise between the fatness of the Blackface 4 x 10 and the
brilliance of the British 2 x 12.
Stadium 2 x 12
A 2 x 12" cabinet based on the British 2 x 12. It has a rich, open
mid-range and is more assertive in the treble range.
Boutique Retro 2 x 12
A modern, closed-back European cabinet with strong lows and
highs and scooped mids appropriate for metal and heavy rock.
High Octane 4 x 12
A modern, closed-back European cabinet with strong lows, very
strong highs, and deeply scooped mids appropriate for metal and
heavy rock.
Turbo 4 x 12
Single 8" speaker cabinet that has excellent low-end punch.Pawnshop 1 x 8
This option bypasses the speaker emulation section.Direct
Using Amp Designer’s Equalizer
Hardware amplifier tone controls vary between models and manufacturers. There’s a
good chance, for example, that the treble knobs on two different models target different
frequencies, or provide different levels of cut or boost. Some equalizer (EQ) sections
amplify the guitar signal more than others, affecting the way the amp distorts.
Amp Designer provides multiple EQ types to mirror these variations in hardware amplifiers.
No matter which EQ type you choose, you’ll see an identical set of controls: Bass, Mids,
and Treble. Switching between EQ types can result in these controls behaving very
differently.
Selecting an EQ type other than the one traditionally associated with a certain amplifier
typically results in significant tonal changes, although these may not necessarily be for
the better. As with hardware amplifiers, Amp Designer’s EQs are calibrated to perform
well with particular amplifier sounds. Choosing other EQ types can sometimes produce
a thin, or unpleasantly distorted tone. See Amp Designer Equalizer Type Reference Table.
23Chapter 1 Amps and Pedals