9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Amp Designer Cabinet Reference Table
You can choose a cabinet model from the Cabinet pop-up menu on the black bar at the
bottom of Amp Designer’s interface. The table below covers the properties of each cabinet
model available in Amp Designer.
DescriptionCabinet
A 12" open-back cabinet from the 1950s with a warm and smooth
tone.
Tweed 1 x 12
A 4 x 10" open-back cabinet that was originally conceived for
bassists, but guitarists love its sparkling presence. An authentic late
1950s sound.
Tweed 4 x 10
A single 10" open-back combo amp cabinet from the 1950s with a
smooth sound.
Tweed 1 x 10
Classic open-back cabinet with four 10" speakers. Its tone is deeper
and darker than the Tweed 4 x 10.
Blackface 4 x 10
An open-back model from the 1960s that provides great low-end
punch.
Silverface 2 x 12
An open-back 1960s cabinet with glistening highs and surprising
low-mid body.
Blackface 1 x 10
A beautifully balanced 1960s open-back cabinet. It is smooth and
rich-sounding, but with nice transparency.
Brownface 1 x 12
This early 1960s open-back cabinet houses the largest speaker
emulated by Amp Designer. Its highs are clear and glassy, and its
lows are tight and focused.
Brownface 1 x 15
This late 1960s closed-back cabinet is synonymous with classic rock.
The tone is big and thick, yet also bright and lively, thanks to the
complex phase cancellations between the four 30-watt speakers.
Vintage British 4 x 12
A closed-back 4 x 12" cabinet that is brighter, and has a better
low-end than the Vintage British 4 x 12, with less mid-range
emphasis.
Modern British 4 x 12
A closed-back 4 x 12" cabinet with a great bottom end and complex
mid-range.
Brown 4 x 12
A bright-sounding open-back cabinet with solid lows, and highs
that maintain their edge even at high gain settings.
British Blues 2 x 12
A closed-back 4 x 12" cabinet that has a full sound. The low-mids
are denser than the British 4 x 12" cabinets.
Modern American 4 x 12
A compact-sounding open-back cabinet with full mids and
shimmering highs.
Studio 1 x 12
A mid 1960s open-back cabinet with an open, smooth tone.British 2 x 12
A small open-back cabinet with crisp highs and nice low-mid
transparency.
British 1 x 12
A 2 x 12" cabinet based on the British 2 x 12. It has a richer mid-range
and is more assertive in the treble range.
Boutique British 2 x 12
22 Chapter 1 Amps and Pedals