9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
3 In the I/O window, choose both the Outputs and Inputs of your audio hardware (that
your effects unit is connected to).
4 Route the signals of any channel strips that you want to process to the bus (aux channel
strip) chosen in step 3, and set appropriate Send levels.
5 Adjust the Input or Output volume as required in the I/O window.
6 Click the Latency Detection (Ping) button if you want to detect, and compensate for, any
delay between the selected output and input.
When you start playback, the signals of any channel strips routed to the aux channel
(chosen in step 3) will be processed by the external effects unit.
Test Oscillator
The Test Oscillator is useful for tuning studio equipment and instruments, and can be
inserted as both an instrument or effect plug-in. It operates in two modes, generating
either a static frequency or a sine sweep.
In the first mode (default mode), it starts generating the test signal as soon as it is inserted.
You can switch it off by bypassing it. In the second mode (activated by clicking the Sine
Sweep button), Test Oscillator generates a user-defined frequency spectrum tone
sweep—when triggered with the Trigger button.
• Waveform buttons: Select the type of waveform to be used for test tone generation.
• The Square Wave and Needle Pulse waveforms are available as either aliased or
anti-aliased versions—the latter when used in conjunction with the Anti Aliased
button.
• Needle Pulse is a single needle impulse waveform.
• If the Sine Sweep button is active, the fixed oscillator settings in the Waveform section
are disabled.
194 Chapter 13 Utilities and Tools