9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Note: In practical terms, this makes sense only if you are using an audio interface that
provides discrete inputs and outputs (analog or digital) that are used to send signals to
and from the external audio effects unit.
• Output Volume field and slider: Adjusts the level of the output signal.
• Output pop-up menu: Assigns the respective output (or output pair) of your audio
hardware.
• Input pop-up menu: Assigns the respective input (or input pair) of your audio hardware.
Note: The Input pop-up menu is only visible when an audio interface with multiple
inputs is active.
• Input Volume field and slider: Adjusts the level of the input signal.
• Latency Detection (Ping) button: Detects the delay between the selected output and
input, and compensates the delay accordingly.
Note: Bypassing any latency-inducing plug-ins on the track will provide you with the
most accurate reading.
• Latency Offset field and slider: Displays the value for the detected latency between the
selected output and input. Also allows you to offset the latency manually.
To integrate and use an external effects unit with the I/O utility
1 Connect an output (or output pair) of your audio interface with the input (pair) on your
effects unit. Connect the output (or output pair) of your effects unit with an input (pair)
on your audio interface.
Note: These can be either analog or digital connections if your audio interface and effects
unit are equipped with either, or both.
2 Click an Insert slot of an aux channel strip (being used as a bus send/return), and choose
Utility > I/O.
193Chapter 13 Utilities and Tools