9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Speech Enhancer
You can use Speech Enhancer to improve speech recordings made with your computer’s
internal microphone (if applicable). It combines denoising, advanced microphone
frequency remodeling, and multiband compression.
• Denoise slider and field: Determines (your estimation of) the noise floor in your recording
and, therefore, how much noise should be eliminated. Settings towards 100 dB allow
more noise to pass. Settings towards 0 dB increasingly suppress background noise but
also proportionately increase artifacts.
• Mic Correction buttons: Activate the On button to improve the frequency response of
recordings made with your built-in microphone. This creates the impression that an
up-market microphone was used.
• Mic Model pop-up menu: Provides a choice of several microphone models that
compensate for tonal characteristics of particular built-in Macintosh microphones.
Note: You can use the Speech Enhancer effect with other microphones, but microphone
correction models are offered only for built-in Macintosh microphones and iSight.
Should a non-Apple microphone be used, you will achieve the best results if Mic
Correction is set to Generic.
• Voice Enhance button and Enhance Mode pop-up menu: This button turns on the Speech
Enhancer multiband compression circuit. When it is active, you can choose from four
settings that make the recorded voice louder and more intelligible. Choose the setting
that best matches your recording situation.
• (Female or Male) Solo: Use when the recorded signal consists of a vocal only.
• (Female or Male) Voice Over: Use when the recorded signal contains both a vocal
performance and a musical or atmospheric bed.
187Chapter 12 Specialized Effects and Utilities