9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
GoldVerb Early Reflections Parameters
The GoldVerb offers the following Early Reflections parameters:
• Predelay slider and field: Determines the amount of time between the start of the original
signal and the arrival of the early reflections. Extremely short Predelay settings can
color the sound and make it difficult to pinpoint the position of the signal source. Overly
long Predelay settings can be perceived as an unnatural echo and can divorce the
original signal from its early reflections, leaving an audible gap between them.
The optimum Predelay setting depends on the type of input signal—or more precisely,
the envelope of the input signal. Percussive signals generally require shorter predelays
than signals where the attack fades in gradually. A good working method is to use the
longest possible Predelay value before you start to hear undesirable side effects, such
as an audible echo. When you reach this point, reduce the Predelay setting slightly.
• Room Shape slider and field: Defines the geometric form of the room. The numeric value
(3 to 7) represents the number of corners in the room. The graphic display visually
represents this setting.
• Room Size slider and field: Determines the dimensions of the room. The numeric value
indicates the length of the room’s walls—the distance between two corners.
• Stereo Base slider and field: Defines the distance between the two virtual microphones
that are used to capture the signal in the simulated room.
Note: Spacing the microphones slightly farther apart than the distance between two
human ears generally delivers the best, and most realistic, results. This parameter is
available only in stereo instances of the effect.
173Chapter 11 Reverb Effects