9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Setting Vocal Transformer Pitch and Formant Parameters
Use the Vocal Transformer’s Pitch parameter to transpose the pitch of the signal upward
or downward. Adjustments are made in semitone steps. Incoming pitches are indicated
by a vertical line below the Pitch Base field. Transpositions of a fifth upward (Pitch = +7),
a fourth downward (Pitch = −5), or by an octave (Pitch = ±12) are the most useful,
harmonically.
As you alter the Pitch parameter, you might notice that the formants don’t change.
Formants are characteristic emphases of certain frequency ranges. They are static and do
not change with pitch. Formants are responsible for the specific timbre of a given human
voice.
The Pitch parameter is expressly used to change the pitch of a voice, not its character. If
you set negative Pitch values for a female soprano voice, you can turn it into an alto voice
without changing the specific character of the singer’s voice.
The Formant parameter shifts the formants, while maintaining—or independently
altering—the pitch. If you set this parameter to positive values, the singer sounds like
Mickey Mouse. By altering the parameter downward, you can achieve vocals reminiscent
of Darth Vader.
Tip: If you set Pitch to 0 semitones, Mix to 50%, and Formant to +1 (with Robotize turned
off), you can effectively place a singer (with a smaller head) next to the original singer.
Both will sing with the same voice, in a choir of two. This doubling of voices is quite
effective, with levels easily controlled by the Mix parameter.
Using Vocal Transformer’s Robotize Mode
When Robotize is enabled, Vocal Transformer can augment or diminish the melody. You
can control the intensity of this distortion with the Tracking parameter.
164 Chapter 10 Pitch Effects