9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Note: Tunings that differ from software instrument tuning can be interesting when you
want to individually correct the notes of singers in a choir. If all voices were individually
and perfectly corrected to the same pitch, the choir effect would be partially lost. You
can prevent this by (de)tuning the pitch corrections individually.
Automating the Pitch Correction Effect
The Pitch Correction effect can be fully automated. This means that you can automate
the Scale and Root parameters to follow harmonies in the project. Depending on the
accuracy of the original intonation, setting the appropriate key (Scale parameter) may
suffice. Less precise intonations may need more significant changes to the Scale and Root
parameters.
Pitch Shifter II
Pitch Shifter II provides a simple way to combine a pitch-shifted version of the signal with
the original signal.
• Semi Tones slider and field: Sets the pitch shift value in semitones.
• Cents slider and field: Controls detuning of the pitch shift value in cents (1/100th of a
semitone).
• Drums, Speech, and Vocals buttons: Select one of three optimized algorithms for common
types of audio material:
• Drums: Maintains the groove (rhythmic feel) of the source signal.
• Speech: Provides a balance between both the rhythmic and harmonic aspects of the
signal. This is suitable for complex signals such as spoken-word recordings, rap music,
and other hybrid signals such as rhythm guitar.
• Vocals: Retains the intonation of the source, making it well-suited for signals that
are inherently harmonic or melodious, such as string pads.
• Mix slider and field: Sets the balance between the effect and original signals.
161Chapter 10 Pitch Effects