9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Tweed Combos
The Tweed models are based on American combos from the 1950s and early 1960s that
helped define the sounds of blues, rock, and country music. They have warm, complex,
clean sounds that progress smoothly through gentle distortion to raucous overdrive as
you increase the gain. Even after half a century, Tweeds can still sound contemporary.
Many modern boutique amplifiers are based on Tweed-style circuitry.
DescriptionModel
A 1 x 12" combo that transitions smoothly from clean to crunchy,
making it a great choice for blues and rock. For extra definition, set
the Treble and Presence controls to a value around 7.
Small Tweed Combo
This 4 x 10" combo was originally intended for bassists, but was also
used by blues and rock guitarists. More open and
transparent-sounding than the Small Tweed Combo, but can deliver
crunchy sounds.
Large Tweed Combo
A small amp with a single 10" speaker, used by countless blues and
rock artists. It is quite punchy-sounding, and can deliver the clean
and crunch tones that the Tweed combos are known for.
Mini Tweed Combo
Tip: Tweed combos respond beautifully to your playing dynamics. Adjust the knobs to
create a distorted sound, then reduce the level of your guitar’s volume knob to create a
cleaner tone. Turn up your guitar’s volume knob when the time comes for a scorching
solo.
Classic American Combos
The Blackface, Brownface, and Silverface models are inspired by American combos of the
mid 1960s. These tend to be loud and clean with tight lows and relatively restrained
distortion. They are great for clean-toned rock, vintage R & B, surf music, twangy country,
jazz, or any other style where strong note definition is essential.
DescriptionModel
A 4 x 10" combo with a sweet, well-balanced tone favored by rock,
surf, and R & B players. Great for lush, reverb-drenched chords or
strident solos.
Large Blackface Combo
A 2 x 12" combo with a loud, ultra-clean tone. Its percussive,
articulate attack is great for funk, R & B, and intricate chord work. It
can be crunchy when overdriven, but most players favor it for clean
tones.
Silverface Combo
A 1 x 10" combo that is bright and open-sounding, with a surprising
amount of low-end impact. It excels at clean tones with just a hint
of overdrive.
Mini Blackface Combo
A 1 x 12" combo that is smooth and rich-sounding, but retains a
nice level of detail.
Small Brownface Combo
A 1 x 15" combo that has a clear top end with a tight, defined low
end. This model is favored by blues and rock players.
Blues Blaster Combo
16 Chapter 1 Amps and Pedals