9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
You can choose between three different vibrato and chorus types. The stereo version of
the effect features two additional parameters—Stereo Phase and Rate Right. These allow
you to set the modulation speed independently for the left and right channels.
The stereo parameters of
the mono version of the
Scanner Vibrato are
hidden behind a
transparent cover.
• Vibrato knob: Use to choose from three Vibrato positions (V1, V2, and V3) or three
Chorus positions (C1, C2, and C3).
• In the Vibrato positions, only the delay line signal is heard, each with different
intensities.
• The three Chorus positions (C1, C2, and C3) mix the signal of the delay line with the
original signal. Mixing a vibrato signal with an original, statically pitched signal results
in a chorus effect. This organ-style chorus sounds different from the Logic Express
Chorus plug-in.
• If the C0 setting is chosen, neither the chorus nor vibrato is enabled.
• Chorus Int knob: Sets the intensity of a chosen chorus effect type. If a vibrato effect
type is chosen, this parameter has no effect.
• Stereo Phase knob: When set to a value between 0° and 360°, Stereo Phase determines
the phase relationship between left and right channel modulations, thus enabling
synchronized stereo effects.
If you set the knob to “free,” you can set the modulation speed of the left and right
channel independently.
• Rate Left knob: Sets the modulation speed of the left channel when Stereo Phase is set
to “free.” If Stereo Phase is set to a value between 0° and 360°, Rate Left sets the
modulation speed for both the left and right channels. Rate Right has no function when
in this mode.
• Rate Right knob: Sets the modulation speed of the right channel when Stereo Phase is
set to “free.”
153Chapter 9 Modulation Effects