9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
• Cabinet Type pop-up menu: You can choose from the following cabinet models:
• Wood: Mimics a Leslie with a wooden enclosure, and sounds like the Leslie 122 or
147 models.
• Proline: Mimics a Leslie with a more open enclosure, similar to a Leslie 760 model.
• Single: Simulates the sound of a Leslie with a single, full-range rotor. The sound
resembles the Leslie 825 model.
• Split: The bass rotor’s signal is routed slightly to the left, and the treble rotor’s signal
is routed more towards the right.
• Wood & Horn IR: This setting uses an impulse response of a Leslie with a wooden
enclosure.
• Proline & Horn IR: This setting uses an impulse response of a Leslie with a more open
enclosure.
• Split & Horn IR: This setting uses an impulse response of a Leslie with the bass rotor
signal routed slightly to the left, and the treble rotor signal routed more to the right.
Advanced Rotor Speaker Parameters
The Rotor Cabinet offers the following advanced rotor speaker parameters:
• Horn Deflector button: A Leslie cabinet contains a double horn, with a deflector at the
horn mouth. This deflector makes the Leslie sound. Some people remove the deflector
to increase amplitude modulation, and decrease frequency modulation. You can emulate
this by using the Horn Deflector button to switch the deflectors on and off.
• Motor Ctrl pop-up menu: You can set different speeds for the bass and treble rotors in
the Motor Ctrl pop-up menu:
Note: If you choose Single Cabinet from the Cabinet menu, the Motor Ctrl setting is
irrelevant, because there are no separate bass and treble rotors in a single cabinet.
• Normal: Both rotors use the speed determined by the rotor speed buttons.
• Inv (inverse mode): In Tremolo mode, the bass compartment rotates at a fast speed,
while the horn compartment rotates slowly. This is reversed in Chorale mode. In
Brake mode, both rotors stop.
151Chapter 9 Modulation Effects