9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
• LFO 1 and LFO 2 Rate knobs and fields: The left knob sets the modulation rate for the
left stereo channel, and the right knob sets the modulation rate for the right stereo
channel.
Note: The right LFO Rate knob is available only in stereo instances, and it can be set
separately only if the Left Right Link button is not enabled.
• LFO Left Right Link button: Available only in stereo instances, it links the modulation
rates of the left and right stereo channels. Adjustment of either Rate knob will affect
the other channels.
• LFO Phase knob and field: Available only in stereo instances, it controls the phase
relationship between individual channel modulations.
• At 0°, the extreme values of the modulation are achieved simultaneously for all
channels.
• 180° or −180° is equal to the greatest possible distance between the modulation
phases of the channels.
Note: The LFO Phase parameter is available only if the LFO Left Right Link button is
active.
• Volume Mod(ulation) slider and field: Determines the impact that LFO modulation has
on the amplitude of the effect signal.
• Output Mix slider and field: Determines the balance between dry and wet signals.
• All Pass button (Extended Parameters area): Introduces an additional allpass filter into
the signal path. An allpass filter shifts the phase angle of a signal, influencing its stereo
image.
• All Pass Left and All Pass Right sliders and fields (Extended Parameters area): Determines
the frequency at which the phase shift crosses 90° (the half-way point of the total 180°)
for each of the stereo channels.
142 Chapter 9 Modulation Effects