9

Table Of Contents
Feedback slider and field: Determines the amount of the effect signal that is routed back
into the input. This can change the tonal color and/or make the sweeping effect more
pronounced.
Intensity slider and field: Determines the amount of modulation.
Modulation Delay
The Modulation Delay is based on the same principles as the Flanger and Chorus effects,
but you can set the delay time, allowing both chorus and flanging effects to be generated.
It can also be used without modulation to create resonator or doubling effects. The
modulation section consists of two LFOs with variable frequencies.
Although rich, combined flanging and chorus effects are possible, the Modulation Delay
is capable of producing some extreme modulation effects. These include emulations of
tape speed fluctuations and metallic, robot-like modulations of incoming signals.
Feedback slider and field: Determines the amount of the effect signal that is routed back
to the input. If you’re going for radical flanging effects, enter a high Feedback value. If
simple doubling is what you’re after, don’t use any feedback. Negative values invert
the phase of the feedback signal, resulting in more chaotic effects.
Flanger-Chorus knob and field: Sets the basic delay time. Set to the far left position to
create flanger effects, to the center for chorus effects, and to the far right to hear clearly
discernible delays.
De-Warble button: Ensures that the pitch of the modulated signal remains constant.
Const Mod. (Constant Modulation) button: Ensures that the modulation width remains
constant, regardless of the modulation rate.
Note: When Const Mod is enabled, higher modulation frequencies reduce the
modulation width.
Mod. Intensity slider and field: Sets the modulation amount.
LFO Mix slider and fields: Determines the balance between the two LFOs.
141Chapter 9 Modulation Effects