9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Stereo Spread extends the stereo base by distributing a selectable number of frequency
bands from the middle frequency range to the left and right channels. This is done
alternately—middle frequencies to the left channel, middle frequencies to the right
channel, and so on. This greatly increases the perception of stereo width without making
the sound totally unnatural, especially when used on mono recordings.
• Lower Int(ensity) slider and field: Sets the amount of stereo base extension for the lower
frequency bands.
• Upper Int(ensity) slider and field: Sets the amount of stereo base extension for the upper
frequency bands.
Note: When setting the Lower and Upper Int. sliders, be aware that the stereo effect
is most apparent in the middle and higher frequencies, so distributing low frequencies
between the left and right speakers can significantly alter the energy of the overall mix.
For this reason, use low values for the Lower Int. parameter, and avoid setting the Lower
Freq. parameter below 300 Hz.
• Graphic display: Shows the number of bands the signal is divided into, and the intensity
of the Stereo Spread effect in the upper and lower frequency bands. The upper section
represents the left channel, and the lower section represents the right channel. The
frequency scale displays frequencies in ascending order, from left to right.
• Upper and Lower Freq(uency) slider and fields: Determine the highest and lowest
frequencies that will be redistributed in the stereo image.
• Order knob and field: Determines the number of frequency bands that the signal is
divided into. A value of 8 is usually sufficient for most tasks, but you can use up to
12 bands.
131Chapter 7 Imaging Processors