9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
• Center Freq. (Frequency) knob and field: Sets the center frequency of the band that you
want to process.
• Bandwidth knob and field: Sets the width of the frequency band that you want to
process.
• Super Energy knob and field: Controls the level of the frequency range above the
threshold.
• High Level slider and field: Blends the frequencies of the original signal—above the
selected frequency band—with the processed signal.
• Sub Energy and field: Controls the level of the frequency range below the threshold.
• Low Level slider and field: Blends the frequencies of the original signal—below the
selected frequency band—with the processed signal.
• Gain slider and field: Sets the output level of the Spectral Gate.
Using the Spectral Gate
One way to familiarize yourself with the operation of the Spectral Gate would be to start
with a drum loop. Set the Center Freq. to its minimum (20 Hz) and the Bandwidth to its
maximum (20,000 Hz) value so that the entire frequency range is processed. Turn up the
Super Energy and Sub Energy knobs, one at a time, then try different Threshold settings.
This should give you a good sense of how different Threshold levels affect the sound of
Super Energy and Sub Energy. When you come across a sound that you like or consider
useful, narrow the Bandwidth drastically, gradually increase the Center Freq., and then
use the Low Level and High Level sliders to mix in some treble and bass from the original
signal. At lower Speed settings, turn up the CF Mod. or BW Mod. knobs.
Follow these steps to acquaint yourself with the Spectral Gate
1 Set the frequency band you want to process by using the Center Freq. and Bandwidth
parameters.
The graphic display visually indicates the band defined by these two parameters.
2 After the frequency band is defined, use the Threshold parameter to set the appropriate
level.
All incoming signals above and below the threshold level are divided into upper and
lower frequency ranges.
3 Use the Super Energy knob to control the level of the frequencies above the Threshold,
and use the Sub Energy knob to control the level of the frequencies below the Threshold.
4 You can mix the frequencies that fall outside the frequency band (defined by the Center
Freq. and Bandwidth parameters) with the processed signal.
a Use the Low Level slider to blend the frequencies below the defined frequency band
with the processed signal.
124 Chapter 6 Filter Effects