9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
• Wah parameters: Provide control over the type and tone of the wah wah effect. See
Wah Parameters.
• Auto Wah parameters: Set the depth and envelope times for the automatic wah wah
effect. See Auto Wah Parameters.
• Fuzz parameters: Set the compression ratio, and control the tone and level of the
integrated distortion circuit. See Fuzz Parameters.
Effect Order Buttons
These buttons determine the signal flow of the Fuzz-Wah effect. Click Wah-Fuzz or
Fuzz-Wah to choose the desired flow.
Note that the Fuzz-Wah plug-in features an integrated compression circuit. The compressor
always precedes the fuzz effect. When Wah-Fuzz is selected, the compressor is positioned
between the wah wah and the fuzz effect. When Fuzz-Wah is selected, however, the
compressor is placed first in the signal chain.
Wah Parameters
This group of parameters controls the tone and behavior of the wah wah effect.
• Wah Mode pop-up menu: Includes the following Wah Wah effect settings:
• Off: Wah Wah effect is disabled.
• ResoLP (Resonating Lowpass Filter): In this mode, the Wah Wah works as a
resonance-capable lowpass filter. At the minimum pedal position, only low frequencies
can pass.
• ResoHP (Resonating Highpass Filter): In this mode, the Wah Wah works as a
resonance-capable highpass filter. At the maximum pedal position, only high
frequencies can pass.
• Peak: In this mode, the Wah Wah works as a peak, or bell, filter. Frequencies close to
the cutoff frequency are emphasized.
• CryB: This setting mimics the sound of the popular Cry Baby wah wah pedal.
120 Chapter 6 Filter Effects