9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
The Formant Filter display is divided in two by a horizontal line. The upper half applies
to the Analysis section and the lower half to the Synthesis section. Parameter changes
are instantly reflected in the Formant Filter display, providing invaluable feedback on
what is happening to the signal as it is routed through the two formant filter banks.
• High and Low Frequency parameters: Determine the lowest and highest frequencies
allowed to pass by the filter section. Frequencies that fall outside these boundaries will
be cut.
• The length of the blue bar represents the frequency range for both analysis and
synthesis—unless Formant Stretch or Formant Shift are used, as discussed in “Formant
Stretch knob” and “Formant Shift knob” below. You can move the entire frequency
range by dragging the horizontal blue bar at the top. The silver handles on either
end of the blue bar set the Low Frequency and High Frequency values, respectively.
• You can also use the numeric fields to adjust the frequency values separately.
• Lowest button: Click to determine whether the lowest filter band acts as bandpass or
highpass filter. In the Bandpass setting, the frequencies below the lowest bands and
above the highest bands are ignored. In the Highpass setting, all frequencies below
the lowest bands are filtered.
• Highest button: Click to determine whether the highest filter band acts as bandpass or
lowpass filter. In the Bandpass setting, the frequencies below the lowest bands and
above the highest bands are ignored. In the Lowpass setting, all frequencies above the
highest bands are filtered.
• Formant Stretch knob: Alters the width and distribution of all bands in the synthesis
filter bank. This can be a broader or narrower frequency range than that defined by
the blue bar (see “High and Low Frequency parameters” above).
• Formant Shift knob: Moves all bands in the synthesis filter bank up and down the
frequency spectrum.
116 Chapter 6 Filter Effects