9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Important: The parameters discussed in this section are available only if the Synthesis In
menu is set to Osc.
• FM Ratio field: Sets the ratio between Oscillators 1 and 2, which defines the basic
character of the sound. Even-numbered values or their multiples produce harmonic
sounds, whereas odd-numbered values or their multiples produce inharmonic, metallic
sounds.
• An FM Ratio of 1.000 produces results resembling a sawtooth waveform.
• An FM Ratio of 2.000 produces results resembling a square wave with a pulse width
of 50%.
• An FM Ratio of 3.000 produces results resembling a square wave with a pulse width
of 33%.
• FM Int knob: Determines the intensity of modulation. Higher values result in a more
complex waveform with more overtones.
• At a value of 0, the FM tone generator is disabled, and a sawtooth wave is generated.
• At values above 0, the FM tone generator is activated. Higher values result in a more
complex and brighter sound.
• Coarse Tune value field: Sets the pitch offset of the oscillator in semitones.
• Fine Tune value field: Sets the pitch offset in cents.
Tracking Oscillator Pitch Correction Parameters
The tracking oscillator pitch parameters control the automatic pitch correction feature
of the tracking oscillator. They can be used to constrain the pitch of the tracking oscillator
to a scale or chord. This allows subtle or savage pitch corrections and can be used
creatively on unpitched material with high harmonic content, such as cymbals and
high-hats.
• Pitch Quantize Strength slider: Determines how pronounced the automatic pitch
correction is.
114 Chapter 6 Filter Effects