9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Important: Take care with the Level knob, particularly when a high Sensitivity value is
used, to avoid internally overloading the EVOC 20 TrackOscillator.
EVOC 20 TrackOscillator Synthesis In Parameters
The Synthesis In section controls various aspects of the tracking signal for the synthesizer.
The tracking signal is used to trigger the internal synthesizer.
• Synthesis In pop-up menu: Sets the tracking signal source. The choices are:
• Oscillator (Osc.): Sets the tracking oscillator as the synthesis source. The oscillator
mirrors, or tracks, the pitch of the analysis input signal. Choosing Osc activates the
other parameters in the Synthesis section. If Osc is not chosen, the FM Ratio, FM Int,
and other parameters in this section have no effect.
• Track: Uses the input audio signal of the channel strip, in which the EVOC 20
TrackOscillator is inserted, as the synthesis signal, which drives the internal synthesizer.
• Side Chain: Uses a side chain as the synthesis signal. You choose the side chain source
channel from the Side Chain pop-up menu at the top of the EVOC 20 TrackOscillator
window.
Note: If you choose Side Chain and no Side Chain channel is assigned, the EVOC 20
TrackOscillator reverts to Track mode operation.
• Bands field: Determines the number of frequency bands used by the Synthesis In section.
Basic Tracking Oscillator Parameters
The tracking oscillator follows the pitch of incoming monophonic audio signals and
mirrors these pitches with a synthesized sound. The FM tone generator for the tracking
oscillator consists of two oscillators, each of which generates a sine wave. The frequency
of Oscillator 1 (the carrier) is modulated by Oscillator 2 (the modulator), which deforms
the sine wave of Oscillator 1. This results in a waveform with rich harmonic content.
113Chapter 6 Filter Effects