9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
Vocoding, as a process, is not strictly limited to vocal performances. You could use a drum
loop as the analysis signal to shape a string ensemble sound arriving at the synthesis
input.
How Does a Vocoder Work?
The speech analyzer and synthesizer features of a vocoder are actually two bandpass
filter banks. Bandpass filters allow a frequency band—a slice—in the overall frequency
spectrum to pass through unchanged, and cut the frequencies that fall outside the band’s
range.
In the EVOC 20 plug-ins, these filter banks are named the Analysis and Synthesis sections.
Each filter bank has a matching number of corresponding bands—if the analysis filter
bank has five bands (1, 2, 3, 4, and 5), there will be a corresponding set of five bands in
the synthesis filter bank. Band 1 in the analysis bank is matched to Band 1 in the synthesis
bank, Band 2 to Band 2, and so on.
The audio signal arriving at the analysis input passes through the analysis filter bank,
where it is divided into bands.
An envelope follower is coupled to each filter band. The envelope follower of each band
tracks, or follows, any volume changes in the audio source—or, more specifically, the
portion of the audio that has been allowed to pass by the associated bandpass filter. In
this way, the envelope follower of each band generates dynamic control signals.
These control signals are then sent to the synthesis filter bank, where they control the
levels of the corresponding synthesis filter bands. This is done via voltage-controlled
amplifiers (VCAs) in analog vocoders. This allows any volume changes to the bands in
the analysis filter bank to be imposed on the matching bands in the synthesis filter bank.
These filter changes are heard as a synthetic reproduction of the original input signal—or
a mix of the two filter bank signals.
The more bands a vocoder offers, the more precisely the original sound’s character will
be remodeled. The EVOC plug-ins offer up to 20 bands per bank. To ensure their musical
usefulness, you have full control over the output level of each bandpass filter, facilitating
unique and dramatic changes to the frequency spectrum.
108 Chapter 6 Filter Effects