9
Table Of Contents
- Logic Express 9 Effects
- Contents
- An Introduction to the Logic Express Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Specialized Effects and Utilities
- Utilities and Tools
EVOC 20 Filterbank Formant Filter Parameters
The parameters in this section provide precise level and frequency control of the filters.
Bands value field
Lowest button
Formant Shift knob
High and Low Frequency
parameters
Frequency band faders
Boost A knob
Fade AB slider
Boost B knob
Highest button
Slope pop-up menu
Resonance knob
• High and Low Frequency parameters: Determine the lowest and highest frequencies
allowed to pass by the filter banks. Frequencies that fall outside these boundaries will
be cut.
• The length of the horizontal blue bar at the top represents the frequency range. You
can move the entire frequency range by dragging the blue bar. The silver handles
on either end of the blue bar set the Low Frequency and High Frequency values,
respectively.
• You can also use the numeric fields to adjust the frequency values separately.
• Frequency band faders: Set the level of each frequency band in Filter Bank A (upper
blue faders) or Filter Bank B (lower green faders). You can quickly create complex level
curves by dragging horizontally (“drawing”) across either row of faders.
• Formant Shift knob: Moves all bands in both filter banks up or down the frequency
spectrum.
Note: The use of Formant Shift can result in the generation of unusual resonant
frequencies—when high Resonance settings are used.
• Bands value field: Sets the number of frequency bands—up to 20—in each filter bank.
• Lowest button: Click to determine whether the lowest filter band acts as bandpass or
highpass filter. In the Bandpass setting, the frequencies below the lowest bands and
above the highest bands are ignored. In the Highpass setting, all frequencies below
the lowest bands are filtered.
104 Chapter 6 Filter Effects