8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
86 Chapter 6 Filter
Wah Section
 Wah Mode pop-up menu: Choose one of the six modes, which emulate various classic
wah effects and filter types, or choose off.
 Auto Gain button: The wah effect can cause the output level to vary widely. Turning
Auto Gain On compensates for this tendency, and keeps the output signal within a
more stable range.
 Wah Level knob: Sets the amount of the wah-filtered signal.
 Relative Q slider: Adjusts the sharpness of the wah sweep by raising or lowering the
filter peak. A setting of 0 (zero) retains the original peak level for each mode.
 Pedal Range slider: Sets the sweep range of the wah filter controlled using a MIDI
foot pedal, letting you compensate for the difference in mechanical range between a
MIDI foot pedal and a classic wah pedal.
You can set the upper and lower limits of the range independently by dragging the
left and right edges of the Pedal Range slider, or move the entire range at once by
dragging the center section of the slider. Press the normalize button to reset the
pedal range to its default values.
AutoWah Section
 Depth knob: Sets the depth of the autowah effect.
 Attack knob: Sets the time it takes for the wah filter to fully open.
 Release knob: Sets the time it takes for the wah filter to close.
Fuzz Section
 Comp (Compression) Ratio knob: Sets the compression ratio of the integrated
compressor.
 Fuzz Gain knob: Sets the level of distortion for the fuzz effect between 0 dB and
20 dB.
 Fuzz Tone knob: Adjusts the tone of the fuzz effect between 2 kHz and 20 kHz.
AutoWah Attack/Release
These parameters allow you to define how much time it takes for the Wah filter to open
and close. Range (in milliseconds): 10 to 10,000