8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 6 Filter 85
 Stereo Width knob: Controls how the output signals of the filter bands are distributed
in the stereo field.
 At the left position, the output of all bands are centered.
 At the centered position, the output of all bands ascends from left to right.
 At the right position, the bands are output evenly on the left and the right channel.
The stereo/stereo mode (s/s) uses one A/B filter bank per channel. The positioning of
the frequency bands correspond to that described above, but the bands of each filter
bank ascend in opposing directions, from left to right.
Fuzz-Wah
The Fuzz-Wah emulates classic wah effects often used with a Clavinet, and adds
compression and fuzz distortion effects as well.
Parameters of the Fuzz-Wah
 Effect Order buttons: Select whether the wah effect precedes the fuzz effect in the
signal chain (Wah-Fuzz), or vice versa (Fuzz-Wah).
The integrated compressor always precedes the fuzz effect. When Wah-Fuzz is
selected, the compressor comes between the wah and the fuzz effect; conversely,
when Fuzz-Wah is selected, the compressor comes first in the signal chain.