8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 6 Filter 73
Modulation Section
The parameters in this section control the LFOs that modulate the Formant Shift and
Fade A/B parameters in the Formant Filter section, respectively. The LFO Shift
parameters on the left modulate the Formant Shift parameter of the filter bands, and
the LFO Fade parameters on the right modulate the Fade AB parameter.
 LFO Shift Intensity slider: Sets the amount by which the LFO modulates the Formant
Shift parameter.
 LFO Shift Rate knob: Sets the speed of the modulation for Formant Shift. Values to the
left of center are synchronized to the tempo in bars and other musical values, while
values to the right of center are free values in Hertz.
 Waveform buttons: Select the waveforms used by the LFO Shift and LFO Fade LFOs
respectively. From top to bottom, the available waveforms are: triangle, falling
sawtooth, rising sawtooth, square up and down around zero (bipolar), square up
from zero (unipolar), sample and hold (a random stepped waveform), and smoothed
sample and hold.
 LFO Fade Intensity slider: Sets the amount by which the LFO modulates the Fade AB
parameter.
 LFO Fade Rate knob: Sets the speed of the modulation for Fade AB. Values to the left
of center are synchronized to the tempo in bars and other musical values, while
values to the right of center are free values in Hertz.
∏ Tip: The Formant Shift and Fade LFO modulations are the keys to the most
extraordinary sounds of the EVOC 20 Filterbank: Make sure to set up either completely
different or complementary filter curves in both filter banks. You can use rhythmic
material, such as a drum loop, as an input signal, and set up tempo-synchronized
modulations with different Rates for each LFO. You can then try a tempo-synchronized
Tape Delay after the EVOC 20 Filterbank, to produce unique rhythms.