8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
62 Chapter 5 EQ
Parameter Section
Below the graphic display area are controls that both show the settings for each band,
and which you can use to adjust each band’s settings.
 Frequency fields: Sets the frequency for each band.
 Gain knobs: Sets the amount of gain for each band.
 Q/Order fields: Sets the Q or bandwidth for each band (the range of frequencies
around the center frequency that are altered). For bands 1 and 5, this changes the
slope of the filter.
 Band On/Off buttons: Click the numbered button to turn each band on or off.
Inactive bands do not use your computer’s resources.
Master Gain Section
 Master Gain slider and field: Located to the right of the Parameter section. Sets the
output level of the signal. After boosting or cutting frequency bands, you can use the
Master Gain fader to adjust the output level.
Using the Fat EQ
The icons above the graphic display let you switch the type of EQ for each band, except
for Band 3, which always operates as a fully parametric bell filter. You can use the
controls in the Parameter section to set the frequency, gain, and Q for each band, as
well as turn individual bands on or off.
At low Q values, the EQ covers a wider frequency range, while at high Q values, the
effect of the EQ band is limited to a very narrow frequency range. Keep in mind that
the Q value can significantly influence how audible your changes are: if you’re working
with a narrow frequency band, you’ll generally need to cut or boost it more drastically
to notice the difference.
Single Band EQs
Following are descriptions of each of the effects found in the Single Band sub-menu.
High Cut and Low Cut Filter
As their names suggest, the Low Cut Filter attenuates the frequency range below the
selected frequency, while the High Cut Filter attenuates the frequency range above the
selected frequency. Each has a single parameter to set the cutoff frequency.