8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
458 Index
soloing parameter offsets 392
step grid 386
Step mode. See step automation
step sequencer 382–395
adding trigger on every down/upbeat 387
automation. See step automation
clearing triggers 386
copying triggers to Clipboard 386
displaying trigger buttons of all sounds
simultaneously 389
Edit Mode switch 383
global parameters 383
MIDI control 394
principle 382
randomly reordering triggers 387
randomly replacing triggers 387
reversing triggers 387
setting a sound’s length and velocity 388
shifting triggers 387
starting/stopping 384
Swing knob 384
switching to large grid display 389
triggering sound 386
turning on/off 383
Stiffness parameter 361
Swing button 385
Swing knob 384
Synthesizer section 353–372
toms 406
tonal percussion 406
Trigger menu 371
trigger row 386
Trigger Shortcut menu 386
tutorial 396–409
type buttons (Model section) 360
Vel Layer slider 358
velocity/gate row 388
Voice Auto Select function 347
Voice mode 383
Voice Mute Mode button 395
Voice Volume control 371
volume envelope 379
Volume fader 352
unvoiced/voiced sounds 165
utility effects 143–147
V
velocity, described 444
virtual analog synthesizer 417
Vocal Transformer 121–122
parameter overview 121
Pitch Base 122
Robotize mode 122
Vocoder 150
avoiding sonic artifacts 170
Carlos, Wendy 172
Dudley, Homer 172
functionality 150
history 172
Meyer-Eppler, Werner 172
Moog, Bob 172
Parallel Bandpass Vocoder 172
speech intelligibility 169
suitable analysis/synthesis signals 171
Unvoiced/Voiced detector 165
Voder 172
with tracking oscillator 75
Zinovieff, Peter 173
Voder 172
Voice (GarageBand Instrument) 416
volume
controlling with side chain signal 43
increasing 37
VU meter, described 444
W
waveforms 422
white noise 208, 445
Woodwind (GarageBand Instrument) 416
word length. See bit depth
X
XG effect 445
Z
zero crossing, described 445
Zinovieff, Peter 173
zooming 445