8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
447
Index
Index
A
aftertouch event 425
AIFF file 425
AKAI file
described 425
importing with EXS24 mkII 289–293
aliasing
creating artificially 28
described 426
allpass filter 426
amplitude, described 426
amp modeling effects 13–19
Analog Basic (GarageBand Instrument) 412
Analog Mono (GarageBand Instrument) 413
Analog Pad (GarageBand Instrument) 413
analog signal 426
Analog Swirl (GarageBand Instrument) 413
Analog Sync (GarageBand Instrument) 413
analog synthesizer 417
attack phase (envelope) 423, 426
attenuating 426
audio
adding life to digital recordings 137
amplifying 144
applying distortion 27
correcting pitch 115
enhancing timing 136
imparting swing feeling 138
improving speech recording 139
shifting pitch 119
transforming vocals 121
transposing 115
varying rhythm 138
Audio Unit plug-in 427
AutoFilter 66–69
distortion parameters 67, 69
envelope parameters 66, 68
filter parameters 67, 68
LFO parameters 67, 69
output parameters 67, 69
Threshold slider 66
automation 427
AVerb 124
B
bandpass filter 363
bandwidth (EQ) 55
bar, described 427
Bass (GarageBand Instrument) 413
bass, generating artificially 140
Bass Amp 13–15
bass frequency range 64
beat 427
beats per minute 428
Bezier curve 427
Bitcrusher 28
bit depth, described 428
bit rate 428
bit resolution. See bit depth
blue noise 428
boosting 428
Bounce function, described 428
bpm. See beats per minute
BPM Counter 96
bus (Mixer), described 428
bypassing, described 428
C
CAF file, described 428
Carlos, Wendy 172
carrier oscillator 175
cent 428
Channel EQ 57–60
activating Analyzer 57
graphic display 57
Parameter section 58
using 59
using Analyzer 60
checkbox 428
Chorus (effect plug-in) 100
chorus effect, described 250, 429
Clip Distortion 29
clipping 27, 429
colored noise 208
comb filter effect 104, 429
component modeling 13