8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 4 Dynamics 43
Ducker
Ducking is a common technique used in radio and television broadcasting: when the
DJ/announcer speaks while music is playing, the music level is automatically reduced.
When the announcement has finished, the music is automatically raised to its original
volume level.
The Ducker plug-in provides a simple means of performing this process. It can even
reduce the music level before the speaker starts (but this introduces a small amount of
latency).
Ducker Parameters
 Intensity: Defines the amount of volume reduction (of the music mix track—this, in
effect, is the output signal).
 Threshold: Determines the lowest level that a side chain signal must attain before it
begins to reduce the (music mix) output level by the amount set with the Intensity
slider. If the side chain signal level doesn’t reach the threshold, the (music mix) track
volume is not affected.
 Attack: Controls how quickly the volume is reduced. If you want the (music mix)
signal to be gently faded out, set this slider to a high value. This value also controls
whether or not the volume is reduced before the threshold is reached—the earlier
this occurs, the more latency is introduced. It should be noted that this only works if
the ducking signal is not live (in other words, the ducking signal must be an existing
recording): Logic Express needs to analyze the signal level before it is played back, to
anticipate the point where ducking begins.
 Hold: Determines the duration that the (music mix) track volume is reduced for. This
control avoids a chattering effect that can be caused by a rapidly changing sidechain
level. If the sidechain level hovers around the threshold value, rather than clearly
exceeding or falling short of it, set the Hold parameter to a high value to compensate
for rapid volume reductions.