8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
404 Chapter 24 Ultrabeat
To increase the performance dynamics:
1 Reduce the values of the individual volumes by turning down the Volume knobs in
both oscillators and the noise generator. Note how the Mod ring and its Via sliders also
move back. Change the Via slider positions until all three Volume knobs look like this:
If you use differing intensities for each Volume knob when completing step1, you’ll
have the potential of individual velocity reactions for each sound component.
2 Increase the dynamics of the sound as a whole by assigning the following setting to
the Voice Volume knob:
You now have an 808 snare that is exceptionally responsive to velocity. As you may
know, this wasn’t possible with the original—not even an 808 sample could offer the
dynamic volume control of individual sound components that’s demonstrated here. A
sample only offers you the whole sound, not its constituent parts.
In the next step, you’ll use velocity to control the character of the sound—individually
for each component—plus volume, of course:
3 In the Saturation Mod menu of Oscillator 2, choose Max and then Velocity in the
corresponding Via menu.