8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 24 Ultrabeat 377
MIDI Controllers A–D
In the MIDI Controller Assignments area at the upper edge of the Ultrabeat window
you can assign a standard MIDI controller to each of the four controller slots: Ctrl A, B,
C, or D. Ctrl A, B, C, and D can be used as Via modulation sources within Ultrabeat.
Use these assignments to set up your external MIDI controller hardware to operate
with Ultrabeat. As examples: aftertouch or the modulation wheel of your MIDI
keyboard.
Note: All MIDI Controller Assignment menus feature a Learn option. If this is selected,
the parameter will automatically be assigned to the first appropriate incoming MIDI
data message. The Learn mode features a 20 second time-out facility: If Ultrabeat does
not receive a MIDI message within 20 seconds, the parameter will revert to its original
MIDI controller assignment.
LFO 1/2
Among other items, two LFOs are available as modulation sources in the Mod menu.
LFO is the abbreviation for Low Frequency Oscillator. The LFO signal is used as a
modulation source. In an analog synthesizer, LFO frequency generally ranges between
0.1 and 20 Hz, which is outside the audible frequency spectrum.
Note: The speed of the LFO in Ultrabeat can reach up to 100 Hz which, when compared
to analog synthesizers, offers a number of far-reaching possibilities.
Ultrabeat has two LFOs that offer identical feature sets. The parameters for each are
described jointly; you can, of course, adjust LFO 1 and LFO 2 completely independently
of each other.
The buttons labeled 1 and 2 select the corresponding LFO, allowing adjustments of
each LFOs parameters. The blue On/Off button activates and deactivates the selected
LFO.