8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 24 Ultrabeat 375
Back to the example; the frequency of the filter is set to the mean value of 0.50. When
the Mod source Env 1 enters the equation, the Env 1 envelope generator drives the Cut
value up from 0.50 to 0.70 (during the attack phase) and back down to 0.50 (during the
decay phase).
Note: You can view the exact values in the help tags that appear when you grab the
individual handles of various parameters.
If the Via source Ctrl A is introduced, the following interplay occurs: when Ctrl A
remains at its minimum value, nothing changes (yet); Cutoff continues to be
modulated between values of 0.50 and 0.70 by the envelope. A maximum value for Ctrl
A causes the envelope generator to vary the parameter between the values of 0.50 (the
mean value) and 0.90 (the Via amount).
You can see, at a glance, the degree of maximum influence on basic parameters by the
Mod and Via modulation sources: the area between the Mod and Via points shows the
amount that the modulation depth can be (further) altered by the Via modulation
source. In the example, the Cutoff can reach values between 0.70 and 0.90 depending
on the value being sent by Ctrl A.
Here’s another example:
Cutoff is again set to 0.50, Env 1 now drives the value down to 0.25, and a maximum
Ctrl A value reduces the Cutoff frequency down to 0.
Here is another example that illustrates the simplicity and speed of Ultrabeat’s
modulation options:
In this example, you won’t just be changing the modulation intensity of Env 1 (which
affects Cutoff) with the dynamics of your performance (Vel), but you’ll also control its
direction as well. Try this setting in Ultrabeat to create some extremely interesting
sounds.