8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 24 Ultrabeat 361
Stiffness controls the stiffness or rigidity of the string. In the real world, this depends on
the material the strings are made of and their diameter (or, more precisely: their speed
of vibration or response to being struck or plucked and so on). Rigid strings create an
inharmonic vibration where the overtones do not represent whole number multiples of
the fundamental frequency. These overtones are, in fact, slightly higher. Marked
increases in rigidity (stiffness) ultimately transforms the string into a metal rod.
Along the x-axis of the Material Pad you’ll find the value range for the Stiffness
parameter, and the value range for the Inner Loss parameter along the y-axis. To adjust
the parameters, click-hold on the dot in the Material Pad and move it.
Note: Click on the dot in the Material Pad while holding down Option if you want to
return the string parameters to their default values.
To the right of the Material Pad you’ll find the Resolution parameter. In contrast to the
other parameters of the Model oscillator, Resolution does not reproduce a pre-defined
real-world property of the physical model, but affects the modeling process itself:
higher values lead to an improved calculation resolution which results in more
overtones. Lower values reduce the precision of the calculations, leading to fewer
overtones and often to inharmonic spectra.