8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 21 EXS24 mkII 325
To use the Sample Editor Loop commands:
1 Choose either of the selection commands in the Edit menu of the Sample Editor:
 Sample Loop → Selection: The loop area (defined by the Loop Start and End points)
is used to select a portion of the overall audio file.
 Selection → Sample Loop: The selected area is used to set the Loop Start and End
points.
2 Once you’ve selected the desired area using either of the commands above, choose
Edit > Write Sample Loop to Audio File.
The new loop values will be written to the audio file header.
Setting Group Parameters
Groups offer several parameters for simultaneous control over all assigned zones.
Key Range
The two key range parameters allow you to define a key range for the group.
 Lo(w): Sets the lowest note at which the group will sound
 Hi(gh): Sets the highest note at which the group will sound.
Playing notes outside this range will not trigger the zones assigned to this group.
Velocity Range
The two velocity range parameters allow you to set up a velocity range for the group.
Use these parameters for sounds where you wish to mix, or switch between, samples
dynamically by playing your MIDI keyboard harder or softer—with layered sounds, or
when switching between different percussion samples, for example. Low sets the
lowest velocity at which the group will sound, and High sets the highest velocity at
which the group will sound. Playing notes outside this range will not trigger the
sample assigned to this group.
The settings made here override the settings in the zones, if necessary: When a zone’s
velocity range is larger than that allowed by the group setting, the zone’s velocity
range is limited by the group setting.