8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
308 Chapter 21 EXS24 mkII
3 Set the modulation depth with the green triangular fader on the right side of each
modulation path.
In the example above, the LFO 1 speed is modulated by channel pressure (aftertouch)
messages of a MIDI keyboard.
You have the option of inserting another modulation source in the middle slot labeled
via. The via modulation source doesn’t directly modulate the destination, but instead it
modulates the source—in essence, modulating the modulator.
When you select a modulator for the via slot, the green triangular fader will divide,
allowing you to set a range for modulation depth. The size of the modulation range
depends on the possible values allowed by the via modulation source.
In the example below, the key number of the MIDI keyboard (Key) determines how
strongly channel pressure controls the Speed of LFO1. Experienced users can read the
picture like this: Pressure to LFO1 Speed via key number.
Inverting Sources
You can also invert the direction of the source’s effect on modulation depth by clicking
the “inv” button (right of the word Src or via), depending on which of the sources you
would like to invert.