8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 21 EXS24 mkII 299
Amount refers to the range of velocity values in which the crossfade takes place. In
other words, the crossfade is applied symmetrically around each layered zone, with the
crossfade amount determining the overlap of the two zones. The Velocity Range
setting of all zones will be expanded by this value, with the crossfade taking place in
the expanded area. When the Amount parameter is set to 0, the EXS24 mkII will not
fade smoothly between zones but simply switch from one zone to another.
Also, as you will read in the “Modulation Matrix” section later, you can set other
modulation sources, for example the modulation wheel of your MIDI controller, to
modulate the Amount parameter. In this case, the Amount parameter still functions the
same way, but the crossfade will not be triggered by velocity, but by the chosen
modulator.
In the Type menu, you can choose between three different choices of fade curves for
the velocity crossfade:
 dB lin (dB linear):
A logarithmic curve, so that the crossfade sounds even on both sides.
 linear (gain linear): A convex crossfade curve, so that the crossfade sounds as if
nothing is happening at first, but then with a rapid volume fade towards the end.
 Eq. Pow (equal power): A nonlinear curve in which the level rises faster in the
beginning but rises back to normal more slowly. This is useful if your crossfade seems
to drop in volume in the middle.
Pitch Parameters
These parameters let you adjust the tuning and transposition of the loaded sampler
instrument.
Tune
Use this knob to raise or lower the pitch of the loaded samples in semitone increments.
The middle position of the knob (which can be set by clicking the small 0 button)
leaves the pitch unaltered.
Transpose
This parameter also allows you to transpose the EXS2 mkII in semitone increments. In
contrast to the Tune parameter, however, Transpose not only affects the pitch, but also
moves the zones in accordance with the Transpose setting.