8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
298 Chapter 21 EXS24 mkII
Hold via
This parameter determines the modulation source used to trigger the sustain pedal
function (hold all currently played notes, and ignore their note off messages until the
modulation source’s value falls below 64). The default is MIDI controller number 64 (the
MIDI standard controller number for hold functions). You can change it if there are
reasons to prevent Sustain from using CC 64, or if you wish to trigger Sustain with
another modulation source.
Crossfade (Xfade) parameters
If you are familiar with the concept of layering sample zones by Velocity Range, the
Xfade parameters allow you to crossfade between layered sample zones with adjacent
Velocity Range settings. If you are not familiar with this idea, here’s a short explanation:
When assigning a sample to a zone, you can set the lowest and highest velocity that
will trigger that zone. The range in between these values is the zone’s Velocity Range.
You can layer your zones by having different zones triggered by the same key, but
different velocities.
For example, if you have a sample of a snare drum hit lightly and a little off center
assigned to Zone #1, and a sample of a snare drum hit hard in the center of the drum
heading Zone #2. If Zone #1 has a Velocity Range of 24 to 90, and Zone #2 has a
Velocity Range of 91 to 127, if both zones are assigned to the MIDI note A#2, the zones
can be said to be layered on A#2.
In the example above, the high Velocity Range parameter of Zone #1 and the low
Velocity Range parameter of Zone #2 are adjacent, and at this point, there will be a
rather abrupt change from the audio sample used in Zone #1 to the audio sample used
in Zone #2. To make this less abrupt, the crossfade parameters lets you smoothly fade
between both samples. When you have distinctly different audio samples in adjacent
zones, you will find crossfading very helpful in creating realistic sampler instruments.
Crossfades are controlled by two parameters: Amount and Type.