8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 20 ES2 263
Oscillator Synchronization
If you select the synced square and sawtooth waveforms for Oscillators 2 and 3, they
will be synchronized with Oscillator 1. In the Sync Start setting, only Oscillator 2 is
audible and Oscillator 3 is switched off.
Typical sync sounds feature dynamic frequency sweeps over wide frequency ranges.
These frequency modulations (the sweeps) can be applied in various ways.
 Try the pre-programmed pitch modulation, assigned to the modulation wheel, first.
 In the second Router channel, an envelope pitch modulation has been pre-
programmed (target = Pitch 2, Source = Env 1). Setting the minimum value to 1.0
results in a typical sync envelope. Also check out shorter Decay Times for Envelope 1.
 In order to avoid a sterile, lifeless sound (after the decay phase of the envelope), you
may also want to modulate the oscillator frequency with an LFO. Use the third Router
channel: set the minimum modulation applied by LFO 1 to about 0.50.
 Substitute the synchronized square wave with the synced sawtooth wave, and see if
you like the results.
Note: Pulse width modulation is also available via the synchronized square wave of
Oscillators 2 and 3. A modulation of the wave parameters (of these two Oscillators)
results in a PWM, when the synced square wave is selected.