8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
262 Chapter 20 ES2
Ring Modulation
A ring modulator takes its two input signals and outputs the sum and difference
frequencies of them.
In the ES2, Oscillator 2 outputs a ring modulator, which is fed with a square wave of
Oscillator 2 and the wave of Oscillator 1, when Ring is set as Oscillator 2’s waveform.
Odd intervals (frequency ratios) between the oscillators, in particular, result in bell-like
spectra, much like those heard in the RingMod Start setting.
As discussed in the “FM Out of Tune” section, on page 260, the third oscillator can be
used as a tuning reference, in order to maintain a kind of basic tuning. On occasion,
you may find that it’s nice to leave the sound out of tune—for use as a source of
overtones and harmonics for another basic wave, supplied by Oscillator 3.
Try to program an atmospheric bell sound. Use your imagination, but here are some
hints that may help:
 Experiment with the various frequency ratios of Oscillators 1 and 2. You may want to
use the 29 s 0 c/21 s 0 c ratio, which doesn’t sound out of tune at all. Ring
modulation is not only useful for bell-like sounds, it’s also good for a great variety of
spectra which tend to sound pretty weird at lower frequency settings. Also try
alterations to the fine tuning of the Oscillators.
 Check out an Intensity of 50% and a Rate, set to around 2/3 of the maximum value,
for the Chorus effect.
 Set the Attack and Release Times of Envelope 3 to taste.
 Check out Drive and Filter FM, if you like your sounds a little “out of control.”
 The rest is up to you!