8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 20 ES2 247
Curve
The Curve parameter sets the shape of the transition from point to point. You can
choose between nine convex and nine concave shapes. There are also the two extreme
forms; “hold+step” and “step+hold,” which allow stepped modulation. Where
“step+hold” jumps at the beginning of the transition time, “hold+step” jumps at the
end.
Note: You can use “hold+step” to create stepped vector grooves with up to 15 steps.
Vector Envelope Loops
The vector envelope can—like any envelope—run in one shot (as long as the note is
sustained) mode. It can also run several times or in an infinite cycle, much like an LFO.
You can achieve this through the use of loops.
Note: The loop parameters might remind you of the loop parameters available for
samples. Just to avoid any misunderstandings: The vector envelope only supplies
control signals used for moving the cursor positions of the Triangle and Square. The
audio of the ES2 is not looped at all.
Loop Mode
The ES2 features these loop modes:
 Off: If the Loop Mode mode is set to Off, the vector envelope runs in one shot mode
from its beginning to its end—given that the note is held long enough. The other
loop parameters are disabled.
 Forward: When Loop Mode is set to Forward, the vector envelope runs to the sustain
point and begins to repeat the section between the loop point and sustain point
periodically, always in a forward direction.
 Backward: When Loop Mode is set to Backward, the vector envelope runs to the
sustain point and begins to repeat the section between the sustain point and loop
point periodically, always in a backward direction.
 Alternate: When Loop Mode is set to Alternate, the vector envelope runs to the
sustain point and returns to the loop point and back to the sustain point periodically,
alternating in both a backward and forward direction.