8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 20 ES2 239
The Parameters of ENV 2 and ENV 3
The feature sets of ENV 2 and ENV 3 are identical, but it is always the task of ENV 3 to
define the level of each note—to modulate the dynamic stage. ENV 3 is available for
simultaneous use as a source in the Router as well. The envelope’s time parameters can
also be used as modulation targets in the Router.
Note: See the “Envelopes” section, on page 423 for information on the basic
functionality and meaning of envelope generators.
Attack Time
As per the Attack slider of ENV 1, the Attack time sliders of ENV 2 and ENV 3 are divided
into two halves. The lower half defines the attack time when the keys are struck at
maximum velocity. The upper half defines the attack time at minimum velocity.
You can grab the area between the two slider halves with the mouse and drag both
halves simultaneously. If this area is to small to be grabbed with the mouse, just click in
a free part of the slider track, and move the mouse up or down to move the area.
Decay Time
The Decay time parameter defines the length of time it takes for the level of a
sustained note to fall to the Sustain level, after the attack phase is over. If Sustain level
is set to its maximum, the Decay parameter has no effect. When the Sustain level is set
to its minimum value, Decay defines the duration or fade-out time of the note.
The Decay parameter appears as a modulation target in the Router for ENV 2 and ENV 3
individually (ENV2Dec, ENV3Dec).
∏ Tip: On pianos and plucked string instruments, high notes decay faster than low notes.
In order to simulate this effect, modulate the Decay Time target with the Kybd source
in the Router. The Router channel slider should be set to a negative value.
Center symbol
Click to set the Sustain
Time slider to its center
value.