8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
236 Chapter 20 ES2
The Envelopes (ENV 1 to ENV 3)
In addition to the complex vector envelope, described in “The Vector Envelope” section,
on page 242, the ES2 also features three envelope generators per voice. On both the
front panel and as a source in the Router, they are abbreviated as ENV 1, ENV 2, and ENV
3, respectively.
Note: The roots of the term envelope generator and its basic functionality are
described in the “Envelopes” section, on page 423.
The feature sets of ENV 2 and ENV3 are identical. ENV 3 defines the changes in level
over time for each note played. You can regard ENV 3 as being hard-wired to the
Router’s AMP modulation target.
The parameters of ENV 2 and ENV 3 are identical—but ENV 3 is always used for control
over level.
Unlike many other synthesizers, there is no hard-wired connection between any of the
envelope generators and the cutoff frequencies of the ES2 filters. Modulation of the
cutoff frequencies must be set separately in the Router. In the default setting, this is
already the case—in the Router channel just below the Filter (see graphic).
Set up a Router channel as follows, in order to establish this type of modulation: Set
target to Cutoff 1, Cutoff 2, or Cut 1+2, set source to, say, ENV 2. Once set as described,
the slider of the Router channel will function as the filter’s EG Depth parameter.
Note: Both ENV 2 and ENV 3 are velocity sensitive, making it unnecessary to set via to
Velo in the Router channel: You can leave via switched off.