8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
232 Chapter 20 ES2
This facility is especially helpful if you’ve always wanted to use Controller #4 (foot
pedal), for example, as a modulation source. This feature allows you to assign your
favorite MIDI real-time controllers as Ctrl A, Ctrl B, and so on.
All parameters that allow you to select a MIDI controller feature a Learn option. If this is
selected, the parameter will automatically be assigned by the first appropriate
incoming MIDI data message. The Learn mode features a 20 second time-out facility: If
the ES2 does not receive a MIDI message within 20 seconds, the parameter will revert
to its original MIDI controller assignment.
Note: As the new entry is added to the top of the list, existing automation data is
increased by one. Should further assignments be made, this will increment by one for
each entry.
Note: If none of the controller assignments (Ctrl A–F) is assigned to Expression, the
Expression CC message (Ctrl #11) controls the output volume.
Note: The Vector Stick (Joystick) of the Korg Wavestation synthesizer generates
Controllers 16 and 17, for example. If you use this instrument as your master keyboard,
you can control modulation intensities directly with its Joystick.
Note: In the MIDI specification, for all controllers from 0 to 31, there also is a LSB-
Controller defined (32 to 63). This Least Significant Byte-controller allows for a
resolution of 14 bit instead of 7 bit. The ES2 recognizes these control change messages
correctly, for instance the controllers for breath or expression.
RndN01
RndN01 (NoteOnRandom1) controls the modulation intensity (See RndNO1 on
page 230).
RndN02
RndNO2 (NoteOnRandom2) controls the modulation intensity (See RndNO2 on
page 230).
SideCh
A Side Chain source (tracks, busses) is used to create the modulation signal.