8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
228 Chapter 20 ES2
ENV3
Envelope Generator 3 is described in “The Envelopes (ENV 1 to ENV 3)” section, on page
236.
Note: Envelope Generator 3 always controls the level of the overall sound.
Pad-X, Pad-Y
These modulation sources allow you to define the axes of the Square, for use with the
selected modulation target. The cursor can be moved to any position in the Square,
either manually or controlled by the vector envelope. See “The Square” on page 241
and “The Vector Envelope” on page 242.
Max
If you select Max as a source, the value of this source will permanently be set to +1. This
offers interesting options in conjunction with via, as the possible values available for via
control the modulation intensity.
Kybd
Kybd (Keyboard) outputs the keyboard position (the MIDI note number). The center
point is C3 (an output value of 0). Five octaves below and above, an output value of –1
or +1, respectively is sent.
Note: This could be used to control the Cutoff frequencies of the filters in parallel with
the keyboard position—as you played up and down the keyboard, the Cutoff
frequencies would change. Modulate the Cut 1+2 target with the Keyboard source to
do so. At a modulation intensity of 0.5, the Cutoff frequencies scale proportionally with
the pitches played on the keyboard.
Velo
If you select Velo (Velocity), velocity sensitivity serves as modulation source.
Bender
The pitch bender serves as a bipolar modulation source, if Bender is selected. This is
also true when the Oscillators’ Bend Range parameter is set to 0.
ModWhl
The modulation wheel serves as an unipolar modulation source, if ModWhl is selected.
Note: For most standard applications, you’ll probably use the wheel as the via
controller. Traditionally, it can be (and is) used for control over the intensity of periodic
LFO modulations. Used here, it can be employed for direct, static modulations, such as
controlling the Cutoff frequencies of the filters (Target = Cut 1+2).
Note: The Least Significant Byte (LSB) controller for the modulation wheel is recognized
correctly, as well.